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Casio Abe
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Genpei Akasegawa
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Multiple Authors
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Nobuo Ayukawa
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Luis Cabalquinto
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Brian Castro
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Lisa Chen
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Sia Figiel
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Josey Foo
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Sesshu Foster
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Luis H. Francia
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Kimiko Hahn
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Kazuo Hara
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Younghill Kang
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Takeshi Kitano (subject, not author)
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Ed Lin
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R. Zamora Linmark
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Catherine Liu
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Shosôn Nagahara
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Ishle Yi Park
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Shailja Patel
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Thaddeus Rutkowski
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Denise Uyehara
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José Garcia Villa
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Koon Woon
Shosôn Nagahara
Nagahara Sh?son is the pen name of Nagahara Hideaki. We know very little about the life of Nagahara. Besides the information that we can glean from his writings, we can trace a few scattered immigration and census records. According to these records, he was born in 1901 (possibly 1900) in Yamauchi-nishimura, a small village in the northeast of Hiroshima Prefecture. Prior to coming to the United States, he lived with his paternal grandfather in Ushita-mura, which was then a northern suburb of the city of Hiroshima. He arrived in the United States at the age of seventeen in August of 1918, arriving in Seattle, Washington with plans to meet his father and another male relative who were working for the Utah Copper Mining Company in Magna, Utah. In 1920, Nagahara resided in a boarding house in Los Angeles and listed his occupation as “railroad worker.” Three of Nagahara’s works are still extant. After 1928, the documentary trail of Nagahara goes cold. There is no evidence that he ever married, or had children, owned a business, or bought or leased property in the United States. He does not appear in the 1930 census, nor does his name appear in War Relocation Authority records of World War II internees. We do not yet know if he ever returned to Japan, and have yet to determine when and where he died, or where his final resting place might be.






