The setting is Hawaii, the time is the '70s, the friends are all in fifth grade.
Told alternately in first and third person, in fantasies, monologues, poems, report
cards, and a chain letter, Rolling the Rs shows Edgardo and his friends alive in
a world where Donna Summer saves your life by releasing a new album. And then you
risk that life by imitating her on top of the wall around your yard in front of your
neighbors, in front of the boy you want, and in front of your father, who comes home
to take away all your copies of Song Hits-and to knock you down. Edgardo and his
friends are boys with hard-ons for men, and the seam of this narrative is desire,
binding together the life of adults and the life of children in Edgardo's Hawaiian
neighborhood.
Rolling is a collection of related stories that seems a lovely child born from the
same womb as the work of Sandra Cisneros. Linmark has Cisneros's ear for language,
making prosody out of "pidgin" English. Like Cisneros, Linmark takes the
language of his home and makes from it landscapes of both sound and meaning. When
Linmark says, "P.P.S. Katrina you ready for be one sixth grade mother...",
it is a line of smooth rhythm that is exactly what it is supposed to be: English
broken to fit around a world that only half-wants to speak it. The structure of this
narrative crafted from stories is of a piece with the distinctive structure of Linmark's
sentences. If the English is broken, so is this story collection, to make room for
the telling of the lives at the center of this book.
- excerpted from A. Magazine
Linmark's Rolling the R's is a funky hothouse treat, with unforgettable characters
like Edgar Ramirez and his pals Katrina Trina, Vicente and MaiLan. With refreshing
candor and sly wit, Linmark explores both taboo sexuality and ethnic identity. [Linmark
is] remarkably in tune with the way their adolescent characters dream and speak,
with the up-and-down chaos of their daily lives.
- Jessica Hagedorn
Rolling the R's explores the struggles...to form sexual and ethnic identities
at the fringes of mainstream American culture in '70s Honolulu. [B]e prepared for
an unflinching look at growing up colored and queer. The novel manages to be comic
and tragic at the same time, and its language and situations are deadly accurate.
- Honolulu Star Bulletin
The Honolulu-based writer explores the unsettling and often screamingly funny, multi-racial
immigrant world of hormonally-charged teenagers in the predominantly Filipino neighborhood
of Kahili. These second-generation youngsters seem to have a shrewder idea than their
parents that the American ideal isn't what it is supposed to be. Set far from the
postcard-pretty haunts of Diamond Head, among drug abusers, domestic violence and
gangs, the novel effectively uses pidgin English and street language. Linmark relies
on sharply etched, satirical vignettes to detail the bitter effects of racism, alienation
and dispossession.
- Asiaweek |